Showing posts with label DIY. Show all posts
Showing posts with label DIY. Show all posts

Tuesday, July 30, 2019

early release


Something from the very distant (fifteen years ago!) past, this is one of my first DIY releases. At the time I didn't have project names in mind; I made some copies of this on cassette and just gave them out to friends at the time. I doubt any of those cassettes still exist in any playable form, but at least this can finally be heard on the internet. I did try to redux the last track for Eternity Drones a couple years later, but that version seems lost to infinity at this point. The photo was taken in Dawsonville GA the Fall this release was made. 

Wednesday, July 4, 2018

Left Behind the Range collection


PM050: Warning Light "Left Behind the Range" I've put up this collection of Warning Light stuff from the 2014-2018 era, my favorite mixes/dubs/cuts that didn't end up on XXXI, Oftenchance, Inland Empires Disregard the Sea, and At the End of the Road. This era of experimenting with rhythm, repetition, sampling and different arrangements marked a time of a lot of change for me as a musician and a producer. These tracks were recorded at Bedsitter Studios in Avondale Estates, and with my current move it makes it the last WL release I recorded there. I'll always look back fondly at my studio time there, I made a LOT of records there. Thanks to everyone who helped make it possible, I won't soon forget any of it.

Tuesday, June 5, 2018

new production! Lake Lander's LP



Unique for me in terms of process, Lake's first album feels like so much fusion to me. The earlier mini-album is a hazy lo-fi world of ambient sampler dabbling built around a 36 min sound collage; this album explores microtonality, layered field recordings, repetitive beat dubbing, and glowing synth textures. It's an ambient album, my last full production in Avondale estates at Bedsitter Studios, and it was a beautiful way to say goodbye to my home of ten years.

Saturday, December 16, 2017

Persistentmidnight 2017


My Persistentmidnight productions for the year. All music/production/art by me. A lot of people came to visit my corner of the multiverse this year. Hopefully next year they will return, and a lot more will come along too. Special thanks to Stickfigure, Wool-e-Tapes, Rachel, Curtis, John, Travis, Jaye, Lake, and Chris.

Warning Light "Cosmic Mediation EP"
High Marks "Steel Grieves" (Wool-e-Tapes)
Seeing the Sights "Mojave Sunsets LP"
Outer Gods "Severed Together"
Clone Operators "Melting Back the Foil EP"
Lake Lander "PRE EMBRYONIC SOUNDS"
Warning Light "At the End of the Road" (Stickfigure)
High Marks "Systems Emerge Obsolete. EP"
Warning Light "Luxury Through Repetition" / beat tape

Saturday, August 26, 2017

At the End of the Road announcement


My next album will be At the End of the Road,
coming out 8.27.17 on Stickfigure Recordings on CD and digital.

This was a pretty epic project by any standard (PM recorded/mastered/designed album art all in-house), but this album feels like a beautifully mad science experiment that is actually going to see the light of day... and not all the experiments do. This record is full of collaborators and a dense amount of field recordings/tape looping experiments, but still offers some techno-leaning beatwork and uptempo sample manipulation. At the End of the Road started as an attempt to look back on my ten years of DIY record making and to synthesize it all into one experience (that's probably an impossible task). It ended up with a beautiful inner life of its own... a reminder that at the end of every road, there is another path.

Tuesday, May 2, 2017

PM production: Severed Together


Severed Together is Outer Gods' fifth album, a production that unquestionably pushed me past my limits in engineering and recording in general. I'm glad this all came to fruition, as most of the material came together due to the duo's live soundtracks, there were a series of cut-up and splicing techniques used to forge shorter songs. Somehow I think of this as the most "organic" Outer Gods album, though that term seems relative in light of all the synthesizer and treated electric organ work on this album. John from Bataille came to work on the sessions with his typically open mind about things, which always makes for a pleasant recording experience.