Showing posts with label soundtrack. Show all posts
Showing posts with label soundtrack. Show all posts

Friday, August 2, 2019

Shaking Through a Hillside Blue collection


A new collection of ephemera from the most recent era of this project... there's a little bit of everything on here. I'll be the first to admit, I have given this band a bit of a break in my mind. Putting the finishing touches on this collection put me in a pretty nostalgic mindset, it's hard not to when you're sifting through nine years of sessions. The material here existed in tandem to a lot of album work, but most of it was approached with a completely different mindset.

Especially, the Inland Empires Disregard the Sea promotional edits took a long time. Surviving the Buried Earth somehow survived several uninspired attempts! I never wanted to cut it down. The backwards-syncopated outro of Lumen Tracker is also one of my personal favorite post-production elements I've added into any track. And the new mix on "The Company Men" had me twiddling knobs for hours trying to get it right. Inland Empires is one of my favorite records I've ever worked on, I challenged myself 

There are a couple of stand alone cuts of soundtrack work I did for Silent Frame productions in the collection as well. Soundtrack material is always so different than album music, I always look at it from an angle of "what is going to serve the film here?" It takes you outside yourself and your own taste as an artist, in that sense it's probably beyond healthy as artistic exercise.

Shaking Through a Hillside Blue is a scrapbook, a slideshow, a mural of different moments. I'm glad it's complete and out there for all to hear.

Wednesday, January 17, 2018

Tuesday, May 2, 2017

PM production: Severed Together


Severed Together is Outer Gods' fifth album, a production that unquestionably pushed me past my limits in engineering and recording in general. I'm glad this all came to fruition, as most of the material came together due to the duo's live soundtracks, there were a series of cut-up and splicing techniques used to forge shorter songs. Somehow I think of this as the most "organic" Outer Gods album, though that term seems relative in light of all the synthesizer and treated electric organ work on this album. John from Bataille came to work on the sessions with his typically open mind about things, which always makes for a pleasant recording experience. 

Friday, February 24, 2012

Midtown short film

My roommate and his cohorts recently made a short film for a Georgia State University film contest, and I editted / cowrote the soundtrack (part of my last single "Blacked Out" appears, with some other music I worked on). Check it out: