Showing posts with label records. Show all posts
Showing posts with label records. Show all posts

Saturday, December 16, 2017

Persistentmidnight 2017


My Persistentmidnight productions for the year. All music/production/art by me. A lot of people came to visit my corner of the multiverse this year. Hopefully next year they will return, and a lot more will come along too. Special thanks to Stickfigure, Wool-e-Tapes, Rachel, Curtis, John, Travis, Jaye, Lake, and Chris.

Warning Light "Cosmic Mediation EP"
High Marks "Steel Grieves" (Wool-e-Tapes)
Seeing the Sights "Mojave Sunsets LP"
Outer Gods "Severed Together"
Clone Operators "Melting Back the Foil EP"
Lake Lander "PRE EMBRYONIC SOUNDS"
Warning Light "At the End of the Road" (Stickfigure)
High Marks "Systems Emerge Obsolete. EP"
Warning Light "Luxury Through Repetition" / beat tape

Tuesday, October 18, 2016

Productions 016, part one Keep It Dark

So, I'm going to post a couple "round ups" of my production jobs this year, each post will be collecting a different aspect of my work here at Persistentmidnight.

The Dark Ones:

Outer Gods Dismal Rift
A pretty unique transitional record, Dismal Rift straddles several music making approaches while maintaining a unified aesthetic. It took about a year and a half to finish Dismal Rift, which isn't too long for some bands, but seemed to be an eternity in Outer Gods time. The tracks have a certain quilt-like element, which gives the album an eclecticism that probably wasn't present on earlier OG recordings. It's an album of deep, open spaces and dark low frequencies. But it's a genre defying piece, certainly not metal in its sonics like the three other OG albums. It is the longest OG album, certainly the most diverse, and the only time I've done promotional edits for drone music. It's possibly the most non-metal metal album I've produced yet.

Released June 24th on Stickfigure Recordings.




Sareth Den Into the Glacial Unknown
As Dismal came together, I slowly took note of Into the Glacial Unknown, from some raw alchemical inspiration in the mists of the mind that I didn't completely understand. Unknown is certainly the sister-record, a different type of exploration of similar sonics. There are a lot of wide open spaces on this album as well, but the overall palette is a strange one, with little claustrophobic moments to break up too much placidity. The B-side takes a long dark ambient turn, which is meant to bring the listener down after the noisy strangeness of the A-side. If Outer Gods exist as ex-communicated monks living solitarily in an ancient library, toiling away in their research of dark unfathomable forces, Sareth Den exists as a mournful woodland witch who has left society to wander the darker reaches of her desolate forest domain forever.

Released October 14th on Persistentmidnight.

Saturday, October 1, 2016

Inland Empires Disregard the Sea


Inland Empires Disregard the Sea is finally here, pressed on a limited number of compact discs from Stickfigure Recordings. Nine songs in just shy of an hour, the album also features a couple tracks I recorded with synthwork from Rachel M from Snowbride.

I'm excited to say this is my most eclectic and complex work to date, following in a lineage of the electronic loop concepts from Oftenchance and XXXI. The past couple years have been a time of tremendous change in the life of this project and I hope to always maintain an adventurous spirit with my recordings under this name. Cheers to my friends and allies who helped me along the long, twisty path of creation, I appreciate you all.

This has been a Persistentmidnight Production.

Saturday, September 24, 2016

On Tapes and CDs / CDrs

   Born in the 1980s, I have a strange relationship with vinyl. My father had a (what seemed like) large vinyl collection, but they were all filed away in some arcane order I was too neurotic to mess up. He had several large boxes of vinyl that sat unlistened to for years as well. I'm not sure what he ever planned to do with it. I do remember being resentful that he gave/sold a huge chunk of his vinyl to some dumb college kid just as I was starting to get into music, but I suppose that's another story.

   My primary memory of "getting my first stereo" really was me getting a cool boom box with dual tape decks (and no CD player, HA). I bought cassingles and a couple long playing albums at Turtles' Records and Tapes*, but the allure of the album hadn't really hit me yet. I was by and large a radio man. I made so many of my own tapes: mini radio shows where I did most if not all of the voices, funny commercial snips, interesting sounds I heard out my bedroom window. I liked being able to make things even then.

*My original tape "collection" was just:
1. Jurassic Park: the Original Soundtrack
2. A poorly curated Fox97 summertime mixtape they gave away at some event I went to with my dad.
3. Spin Doctors "Pocket Full of Kryptonite" single
4. A dinosaur radio play where the dinos lived in a big city together.
5. An untranslatable cassette of Greek music we purchased to listen to as we drove around when we lived in Athens.

   But for a long while there I mostly just made my own cassettes off the radio. I could somehow always talk my parents into buying me C90s (or failing that, the far inferior C60s) that I could fill with music I actually liked. By the early 90s I had a box of cassettes filled with "oldies," mostly of the 50s/early 60s pre-psychedelic variety. So I probably made tapes for eight years or so before I ever bought a CD. I kept making tapes for years later too, I still have some of my alternative mixes pirated from late night listening to 99X and 88.5 as everyone else at my house slept.

   By the late 80s, my parents had bought some CDs (a handful that maintained a pretty fascist, constant rotation), but we only had two CD players: one expensive one at home connected to the home entertainment system and one in our car. I got a CD player fairly late in the game, but once I started collecting CDs (I used to call it collecting "albums" because the music bug had finally hit me) my collection rapidly expanded away from my parents taste in more Alternative stuff.

   I will always have a special place in my heart for CDs because becoming a "music person" in the late 90s really imbued you with a sense that CDs were still special. I stood in line with dozens of other people outside Blockbuster Music on new release Tuesday. By the time I was in high school, my friend Devin and I would leave school early to go to Blockbuster, then MediaPlay, or Sea of Timeless Records to hunt for albums we wanted to collect. I would scour through the $5 and under bins of Blockbuster Music, looking for gems in the piles of rubbish. Some of the best things I got from those bins were only $1 or $2.* The real treat for me in high school was the rare times I could convince my mom to take me to Buckhead so I could shop at the mammoth Tower Records, which seemed to have everything I was ever looking for.

   By the time I had gotten the ability to drive, I started driving over to Marietta to buy cheap albums (by that point, I had started buying my own vinyl and more tapes, they were cheaper than CDs) from Rowan's, Book Nook and Sounds Good Records. Rowan's had a $5 CD wall, so I could always afford to shop there. Rowan's will always hold a special place in my heart because it was there I found the Suicide "Suicide" collection of the first and second albums, something that has become wildly influential on my life path.

*The Top 5 Cheap $5 and under CDs I ever got at Blockbuster Music:
1. Pulsars "Pulsars"
2. Mission of Burma "Signals, Calls and Marches"
3. The Velvet Underground "Live MCMXCIII"
4. Silver Apples "Silver Apples"
5. Tom Verlaine "Dreamtime"

   I loved CDs so much that the first time I went to Criminal Records in Atlanta, I skipped the (relatively smaller) vinyl entirely and picked through the CDs. I ended up getting Holiday by Magnetic Fields and a couple other cheap sundries. I felt very cool having a Merge Records CD finally, most of my haunts didn't really stock anything like that. I remember being quite amazed that Criminal had more than ONE Magnetic Fields album.

   It's incredibly cheesy, but I miss the culture of album hunting and collecting. There were definitely drawbacks (the pretentiousness/mean clerks/not finding stuff), but it was part of growing up in a time when everything was changing, but before everything really CHANGED. I appreciate having my own little version of it, it has kept albums special for me. I'm an album boy still, after all these years.

Monday, September 29, 2014

Thursday, October 21, 2010

Mythrum LP


Years ago, I worked on a synth/drone/metal album over the course of a few lonely weekends spent in a Dawsonville cabin that never quite came together. The good parts I feel like I've finally salvaged and put together with some newer straight drone stuff, a collection of which I'm calling the Mythrum LP. It should be ready at the end of the year.

Saturday, September 25, 2010

Fallow

The Fallow album is finally done, and people can listen to and download it at the Warning Light Bandcamp. The player is below:

<a href="http://warninglight.bandcamp.com/album/fallow">Fallow by Warning Light</a>

Monday, January 11, 2010

5 weird but good records from 2009:

I listened to a ton of records last year, and while this isn't even my top ten, I wanted to write about five unique things I listened to last year.

- Akiro Kosemura "Polaroid Piano" Pianos and guitars hover around amidst atmospheric recordings, this album manages to sound randomly forward thinking by never falling into the traps of sounding too "lo-fi." It sounds intimate without being sappy, it's just a little island unto itself.

-- Wolves in the Throneroom "Black Cascade" Metal in a year that I didn't really listen to metal... this album was a slow grower for me and like the Krallice album in 2008 became my choice for weird, near mystical metal.

--- Alfheimr "These Songs We Sing Will Fade to Silence" Not quite postrock but definitely in that vein, and I haven't really been listening to anything like this lately. But this album has enough variety and textures to keep my interest, go figure.

---- Landing "You Can't Hide Your Love Forever v.5" Mind boggling single from a band I've loved for years, it's two delicate pieces of bedroom/brain music. I'm glad they're back.

----- Subway "Subway II" Kraut-y, groovy dance music with tons of synthesizers and great percussion patterns, as good for dancing as driving around by yourself at night.